25:00:00
Mafuyu's Room
1
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Mafuyu

Oh, it's time...

I should log in soon.

2
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Ena

<Hey, Yuki.

I just posted my rough draft to chat. Mind taking a look at it?>

3
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Mafuyu

<Your rough draft...?>

4
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Ena

<For our song's illustration.

It's finally done.>

5
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Kanade

<We were just about to look at it too.>

6
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Mafuyu

<Okay, I'll do the same...>

7
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Ena

<So... What do you think...?>

8
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Kanade

<I think it's good...>

9
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Ena

<...!>

10
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Mizuki

<Yeah, me too. It's way easier to tell what you're trying to say compared to before!>

11
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Ena

<Y-Yuki... What do you think?>

12
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Mafuyu

<I think... It's easier to understand...>

13
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Mafuyu

(In terms of composition, both sketches are very similar, but this one just feels better overall.)

14
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Mafuyu

(It was a mess before, but her use of space for the subject and other objects seems much more correct now too...)

15
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Mafuyu

(At the same time...)

16
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Ena

<That includes you too, Yuki. Don't pull any punches, okay?>

17
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Mafuyu

<I won't.>

18
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Mafuyu

...

19
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Mafuyu

<It feels better over all, but you went overboard when it came to working in these motifs to represent the lyrics.>

20
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Mizuki

<Oh, that crossed my mind too...>

21
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Ena

<Grr... I was really careful about that too...>

22
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Ena

<But I felt the same thing.

Maybe I should cut back on those a little.>

23
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Kanade

<No, wait.

I actually kind of like it the way it is.>

24
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Ena

<Huh?>

25
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Kanade

<I agree that it's a bit all over the place, but each of these elements play an important role in this song.>

26
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Kanade

<I'd like it if we could make this work somehow.>

27
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Mafuyu

<Make this work...?>

28
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Mafuyu

<What if you made it easier to differentiate between the motifs for the first and second verses?>

29
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Ena

<Yeah... Wait, hang on. That still ends up with me having to remove stuff.>

30
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Kanade

<True...>

31
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Kanade

<But to be honest, the chorus still doesn't feel complete to me, so I want to try adding a little more sound...>

32
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Kanade

<I'm thinking that it'd be nice to have a denser sound to go along with some sort of effect for the illustration.>

33
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Mizuki

<I see...>

34
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Mizuki

<Alright, it's gonna take more materials than usual, but what if we split your draft into three layers...?>

35
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Ena

<Three layers?>

36
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Mizuki

<Yeah. We could have one for the motifs from the first verse and another for the second verse like Yuki said...>

37
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Mizuki

<And have them all appear at once on the last layer!>

38
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Ena

<Oh, that might actually be pretty good.>

39
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Mizuki

<Pretty good?! It's gonna look awesome!>

40
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Mizuki

<Like when the main character from a manga goes to fight the final boss with their friends!>

41
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Mafuyu

<Is that so...?>

42
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Ena

<Sorry, Amia, I don't really get it either.>

43
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Mizuki

<Seriously?!>

44
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Mafuyu

<In any case, you should rethink how many of these motifs you include where...>

45
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Mafuyu

<As it stands, it's too much to process.>

46
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Ena

<Okay, I get it. You don't have to rub salt in my wounds!>

47
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Ena

<But Yuki... Can we chat for a minute after this? I thought it might be easier if we talked about your lyrics and discussed how we're both going to make changes.>

48
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Mafuyu

<Okay.>

49
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Kanade

<Alright, Enanan, Yuki, you two can take care of how to divide up this draft into three layers.>

50
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Mizuki

<I'm good with that too!

Man, this is gonna be so amazing!>

51
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Ena

<Don't forget that we have to make a bunch of fixes first.>

52
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Mafuyu

<But you're going to do them since it'll look better in the end, right...?>

53
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Ena

<Huh? Is that even a question?>

54
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Ena

<Hm? Hey, what's going on? Someone say something.>

55
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Kanade

<Oh, it's nothing. Why don't we get back to work now?>

56
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Mizuki

<Let's do it♪ See you two later, Enanan, Yuki♪>

57
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Ena

<Hm...? Well, whatever...

Anyway, Yuki, you ready?>

58
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Mafuyu

<Yes...>